The Kytchyn Witche Zine Turns 10!
The zine I made with my friend Nadine Schneider, The Kytchyn Witche Guide to Natural Living, turned 10 years old in 2025. And despite having been expanded into a full-length book called Kitchen Witch in 2021, the zine, with its delightful arcane spelling of kytchyn and witche, is still going strong. You can buy a copy of the zine directly from me, or from any one of these stockists:
In the U.S.
A Room of One's Own, Madison WI
Alchemy Arts, Chicago
Antiquated Future, Portland OR
Big Blue Marble, Philadelphia
Books with Pictures, Eugene OR
Burning Books, Buffalo
City Lights Bookstore, San Francisco
The Circle, Savannah
City Lights Bookstore, San Francisco
Coyote Supply Co., Reno
The Crooked Path, Burbank
Cultivate Jax, Jacksonville, FL
Downtown Books & News, Asheville
Elliott Bay Book Company, Seattle
Frenchmen Art & Books, New Orleans
Green Apple Books, San Francisco
Irvington Vinyl & Books, Indianapolis
The Junkman’s Daughter, Atlanta
La Henna Boheme, Manitou Springs, CO
Mystic Sanctuary, University Place, WA
Pegasus Books Downtown, Berkeley, CA
Powell’s City of Books, Portland, OR
Psychic Sister, Olympia
Quimby's Chicago
Quimby’s NYC
Rainbow Natural Remedies, Seattle
The Raven’s Wing, Oakland
Revolutions Bookshop, Portland, OR
Ritualcravt, Wheat Ridge, CO
Sanctum Tattoos & Comics, Birmingham
Sassafras Mercantile, Kingston, NY
South Street Art Mart, Philadelphia
Strange Brew, Kenmore, NY
Taylor Books, Charleston
Tina’s Enchanted Moon, Toms River, NJ
Trident Booksellers & Cafe, Boston
Under the Elder Tree, Wheeling
Vault + Vine, Philadelphia
Wasted Ink, Phoenix
Wild Pages, Traverse City, MI
Wooden Shoe Books, Philadelphia
Word, Jersey City
Wunderbarn, East Greenville, PA
In Canada
Venus Envy, Halifax, Nova Scotia
In the UK
News From Nowhere, Liverpool UK
What’s a Zine?
The fourth issue of my zine White Elephants, which I later turned into a full-length book. I finished it during a writing residency at the Anchor Archive Zine Library in Halifax, Nova Scotia.
Zines are self-published, small circulation booklets that are usually handmade. They’re hard to define beyond that because they vary widely in subject matter and appearance. I like graphic journalist Sarah Shay Mirk’s definition: “any independently published, multi-page work that’s created primarily for passion, not profit.”
The important thing about zines, to me, is this: They're for everyone. They’re inexpensive and easy to make and there are no gatekeepers involved, so as a means to sharing your work they’re very democratic. On top of that, zines strip down the creative process to its simple, playful core. When you create a zine you’re opening a space for yourself to make something for the sheer joy of making it, or from a deep need to express yourself. Or both. And I love that.
I've been making zines since 2004 and I’m still not tired of it. My longest-running series, The La-La Theory, looked at language from a quirky, personal perspective. Others have contained memoir-style writing, interviews, poems, or lists. My zines are held in collections around the world, including Poets House in NYC; the Everhart Museum of Natural History, Science, and Art in Scranton, PA; the Zine Archive & Publishing Project in Seattle; the Browne Popular Culture Library at Bowling Green State University; and the London College of Communication Library. The La-La Theory was featured in the beautiful anthology Fanzines, published by Thames & Hudson in 2010.
You can buy my zines directly from me on my etsy shop or the Consonant Collective shop, or through distros such as Antiquated Future and shops like the South Street Art Mart and Quimby’s NYC. If you would like a copy of any of them for your library I will happily donate it. If you're another zine maker and you'd like to trade, I'd love to do that too. Just click the mail button at the top of the page to send me a note.